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	<title>Conlangers</title>
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	<description>A Collection of Conlanging Blogs</description>
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		<title>plum is arlu</title>
		<link>http://miresua.blogspot.com/2012/05/plum-is-arlu.html</link>
		<comments>http://miresua.blogspot.com/2012/05/plum-is-arlu.html#comments</comments>
		<pubDate>Mon, 14 May 2012 20:52:00 +0000</pubDate>
		<dc:creator>Mariska</dc:creator>
				<category><![CDATA[grammar]]></category>

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arlu = plum (noun) (some things Google found for "arlu": a uncommon term; an unusual first name that can be masculine and can be Filipino; Arlu (or Arlù) is a restaurant in Rome; Arlu Designs sells jewelry on Etsy; Hidráulica Arlu S.L. (Arlu Hydrau...]]></description>
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<a href="http://1.bp.blogspot.com/-q1cwHCln23M/T7FvTpMPXKI/AAAAAAAABZY/UOTezKmMcsw/s1600/arlu.png" imageanchor="1" style="clear:left; float:left;margin-right:1em; margin-bottom:1em"><img border="0" height="59" width="75" src="http://1.bp.blogspot.com/-q1cwHCln23M/T7FvTpMPXKI/AAAAAAAABZY/UOTezKmMcsw/s320/arlu.png" /></a></div>
<b>arlu = plum</b> (noun) (some things Google found for "arlu": a uncommon term; an unusual first name that can be masculine and can be Filipino; Arlu (or Arlù) is a restaurant in Rome; Arlu Designs sells jewelry on Etsy; Hidráulica Arlu S.L. (Arlu Hydraulics, Ltd.) of Basque Country in Spain; Chez Arlu Dance Hall in Quebec near Ottawa; Arlu's Cleaners in Scottsdale, Arizona; name of a mythological goddess in fantasy world Glorantha; a rare last name)<br />
<br />
Word derivation for "plum" : <br />
Basque = aran, Finnish = luumu<br />
Miresua = arlu<br />
<br />
There's three Us in the Finnish word, and two As in the Basque word.<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20375280-3063733162787509151?l=miresua.blogspot.com' alt='' /></div><img src="http://feeds.feedburner.com/~r/MiresuaConlang/~4/86vJoyimPcU" height="1" width="1"/>]]></content:encoded>
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		<title>Color Considerations</title>
		<link>http://fairylang.livejournal.com/35335.html</link>
		<comments>http://fairylang.livejournal.com/35335.html#comments</comments>
		<pubDate>Mon, 14 May 2012 13:51:46 +0000</pubDate>
		<dc:creator>FairyLang</dc:creator>
				<category><![CDATA[grammar]]></category>

		<guid isPermaLink="false">http://fairylang.livejournal.com/35335.html</guid>
		<description><![CDATA[The primary colors are traditionally considered to be red, yellow and blue, with the secondaries being green, orange and violet. Each of these has a distinct word in English, with the tertiary colors being referred to with hyphenated names (red-violet,...]]></description>
			<content:encoded><![CDATA[The primary colors are traditionally considered to be red, yellow and blue, with the secondaries being green, orange and violet. Each of these has a distinct word in English, with the tertiary colors being referred to with hyphenated names (red-violet, blue-green, etc.).<br /><br />Thing is though, red, yellow and blue aren't the true primary colors. The real primary colors of light are red, green and blue (RGB). The secondary colors of light (and primary colors of ink) are cyan, magenta and yellow (the CMY or CMYK).<br /><br />Something I've been wanting to do for a while now is to have a language in which the real primary colors of light and ink have distinct names, and the tertiary colors in between would have hyphenated names. Orange would be red-yellow and violet would be blue-magenta, for example.<br /><br />That would make the language more accurately reflect the mechanics of color. As a printing professional, this is relevant to me.<br /><br />I'm not sure it's right for FairyLang, though. I know I want FairyLang to have a rich vocabulary for describing color, but would a system like this be appropriate for a fairy language, or is it too technical?]]></content:encoded>
			<wfw:commentRss>http://aggregator.conlang.org/?feed=rss2&#038;p=52473</wfw:commentRss>
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		<item>
		<title>BayCon 2012</title>
		<link>http://dothraki.conlang.org/baycon-2012/</link>
		<comments>http://dothraki.conlang.org/baycon-2012/#comments</comments>
		<pubDate>Mon, 14 May 2012 12:00:52 +0000</pubDate>
		<dc:creator>Dothraki</dc:creator>
				<category><![CDATA[grammar]]></category>

		<guid isPermaLink="false">http://dothraki.conlang.org/?p=62</guid>
		<description><![CDATA[For those attending BayCon this year, David Peterson will be on two panels there. Please note that the schedule below is subject to change: Game of Thrones &#038; George R. R. Martin: Sunday 11:30 a.m. to 1:00 p.m. in Ballroom D. Panelists: Kay Pannell, David Peterson, Ryn Serenity. World Building Basics: Sunday 2:30 p.m. to [...]]]></description>
			<content:encoded><![CDATA[<p>For those attending <a href="http://www.baycon.org/" >BayCon</a> this year, David Peterson will be on two panels there. Please note that the schedule below is subject to change:</p>
<ul>
<li><i>Game of Thrones &#038; George R. R. Martin</i>: Sunday 11:30 a.m. to 1:00 p.m. in Ballroom D. <u>Panelists:</u> Kay Pannell, David Peterson, Ryn Serenity.</li>
<li><i>World Building Basics</i>: Sunday 2:30 p.m. to 4:00 p.m. in Ballroom E-F-G. <u>Panelists:</u> Paula Butler, Eytan Kollin, Pat MacEwan, David Peterson, Brandon Sanderson, Juliette Wade</li>
</ul>
]]></content:encoded>
			<wfw:commentRss>http://dothraki.conlang.org/baycon-2012/feed/</wfw:commentRss>
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		<title>Mahrazh Oma Chomokhoon</title>
		<link>http://www.dothraki.com/2012/05/mahrazh-oma-chomokhoon/</link>
		<comments>http://www.dothraki.com/2012/05/mahrazh-oma-chomokhoon/#comments</comments>
		<pubDate>Mon, 14 May 2012 11:00:19 +0000</pubDate>
		<dc:creator>David J. Peterson</dc:creator>
				<category><![CDATA[grammar]]></category>

		<guid isPermaLink="false">http://www.dothraki.com/?p=670</guid>
		<description><![CDATA[No Dothraki this week—in fact, everyone around our khaleesi seems to be dropping like flies. And no dragons! Things are looking grim. Speaking of today&#8217;s episode, it was awful quiet around the internet today. Or was that just me watching the episode late on account of Mother&#8217;s Day? Anyway, I thought this episode was outstanding—perhaps [...]]]></description>
			<content:encoded><![CDATA[<p>No Dothraki this week—in fact, everyone around our khaleesi seems to be dropping like flies. And no dragons! Things are looking grim.</p><p>Speaking of today&#8217;s episode, it was awful quiet around the internet today. Or was that just me watching the episode late on account of Mother&#8217;s Day? Anyway, I thought this episode was <i>outstanding</i>—perhaps the best of the series. There were some changes, but I liked all the changes that were made. A controversial highlight for me was Jaime killing Alton. What a scene! First we get all this backstory and rapport, and then he busts out on Alton like a trained serial killer. I liked this, because, quite frankly, Jaime was too likable. We&#8217;re <i>supposed</i> to dislike him up to this point (at least a bit). Even pushing Brann out the window the dude was likable! This was a good twist.</p><p>Oh, but a note on realism: How&#8217;s he going to surprise somebody in a cage that&#8217;s visible from the outside?! How are we supposed to believe he <i>hid</i> from that guard who came in in plain sight? Did he forget he was there? Those Northmen&#8230;</p><p>Since we&#8217;ve got nothing else going on today, I thought I&#8217;d go over how names work in Dothraki. There&#8217;s not much to it, as I wanted to remain maximally faithful to the books. We&#8217;ve got a handful of male Dothraki names and, unless I&#8217;m missing one, two female names (Irri and Jhiqui) that come directly from the books. Of those names, the male names end in <i>-o</i> and the female names end in <i>-i</i>. I took these as male and female name suffixes, respectively, with names becoming animate nouns. But what do they suffix to?</p><p>This is where I got to have some fun. The name suffixes are kind of like the agentive <i>-k</i> suffix, only with a bit of a broader interpretation. Using the male suffix as an example, <i>-o</i> will mean something like &#8220;He who is <i>x</i>&#8220;, &#8220;He who does <i>x</i>&#8220;, &#8220;He who is characterized by <i>x</i>&#8221; or &#8220;He who is similar in some way to <i>x</i>&#8220;, where <i>x</i> is a root.</p><p>One thing I picked up directly from the book, though, is the preference for names stressed on the second syllable. By naturally reading the names, most that are three syllables long are stressed on the second syllable, and one way this is achieved is by doubling the last consonant (part of what inspired the stress system of Dothraki), as in &#8220;Cohollo&#8221;. As a result, even though a doubled consonant ordinarily makes a difference in meaning, in names a doubled consonant is often used purely to get the stress on the second syllable of a name with more than two syllables. The practice is so common, though, that doubled consonants are used even in disyllabic names just because, at this point, it makes the name sound like a good name.</p><p>So let&#8217;s look at some names we know and how they&#8217;re formed:</p><ul><li><i>Drogo</i> &#x03C; <i>drogat</i> &#8220;to drive&#8221; (i.e. &#8220;he who drives&#8221;, or &#8220;driver of beasts&#8221;)</li><li><i>Irri</i> &#x03C; <i>irra</i> &#8220;trout&#8221; (i.e. &#8220;she who is like a trout&#8221;)</li><li><i>Kovarro</i> &#x03C; <i>kovarat</i> &#8220;to stand&#8221; (i.e. &#8220;he who stands&#8221;)</li><li><i>Drogo</i> &#x03C; <i>drogat</i> &#8220;to drive&#8221; (i.e. &#8220;he who drives&#8221;, or &#8220;driver of beasts&#8221;)</li><li><i>Qotho</i> &#x03C; <i>qothat</i> &#8220;to be loyal&#8221; (i.e. &#8220;he who is loyal&#8221;)</li><li><i>Jommo</i> &#x03C; <i>joma</i> &#8220;salmon&#8221; (i.e. &#8220;he who is like a salmon&#8221;)</li><li><i>Zollo</i> &#x03C; <i>zolat</i> &#8220;to be exceptionally small&#8221; (i.e. &#8220;he who is exceptionally small&#8221;)</li></ul><p>That&#8217;s about the long and short of it. Dothraki don&#8217;t shy away from names that refer to one&#8217;s physical appearance or temperament, and also take names from animals or objects whose characteristics a parent desires their child to emulate. Here are some potential Dothraki names:</p><ul><li><i>Hliziffo</i> &#x03C; <i>hlizif</i> &#8220;bear&#8221; (i.e. &#8220;he who is like a bear&#8221;)</li><li><i>Halahhi</i> &#x03C; <i>halah</i> &#8220;flower&#8221; (i.e. &#8220;she who is like a flower&#8221;)</li><li><i>Qanno</i> &#x03C; <i>qana</i> &#8220;black stork&#8221; (i.e. &#8220;he who is like a black stork&#8221;)</li><li><i>Tehinni</i> &#x03C; <i>tehin</i> &#8220;breed of horse&#8221; (i.e. &#8220;she who has reddish/brown hair like a <i>tehin</i>&#8220;)</li><li><i>Vrelo</i> &#x03C; <i>vrelat</i> &#8220;to leap&#8221; (i.e. &#8220;he who leaps well&#8221;)</li><li><i>Zali</i> &#x03C; <i>zalat</i> &#8220;to hope&#8221; (i.e. &#8220;she who hopes&#8221;)</li><li><i>Chako</i> &#x03C; <i>chakat</i> &#8220;to be silent&#8221; (i.e. &#8220;he who is silent&#8221;)</li><li><i>Emi</i> &#x03C; <i>emat</i> &#8220;to smile&#8221; (i.e. &#8220;she who smiles&#8221;)</li></ul><p>Those with doubled consonants above can be made into singletons, and those that are singletons can be doubled. Anyway, that&#8217;s about the run of it. You can use the strategies above to create your own Dothraki name, if you wish, or (even better) Dothraki names for your cats, accompanied by pictures of them looking ferocious! To get some more roots, take a look at <a
href="http://wiki.dothraki.org/dothraki/Vocabulary" >the vocabulary list over at Dothraki.org</a>.</p><p>Next week, Episode 8! Boy, this season&#8217;s going to be over in the blink of an eye&#8230;</p> ]]></content:encoded>
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		<item>
		<title>Conlangery #50: The Technology of Literacy</title>
		<link>http://conlangery.com/2012/05/14/conlangery-50-the-technology-of-literacy/</link>
		<comments>http://conlangery.com/2012/05/14/conlangery-50-the-technology-of-literacy/#comments</comments>
		<pubDate>Mon, 14 May 2012 04:00:18 +0000</pubDate>
		<dc:creator>Conlangery Podcast</dc:creator>
				<category><![CDATA[grammar]]></category>
		<category><![CDATA[podcast]]></category>

		<guid isPermaLink="false">http://conlangery.com/?p=222</guid>
		<description><![CDATA[In today&#8217;s bonus-size episode we have Carsten Becker on to join in a great discussion on the technologies of writing:  implements, media, formats, and even literacy itself.  Then we have an invigorating discussion with Larry Sulky about his &#8220;artlangy-engelang&#8221; Qakwan, among other things. Top of Show Greeting: Treyll Links and Resources: Palm Leaves as a [...]]]></description>
			<content:encoded><![CDATA[<p>In today&#8217;s bonus-size episode we have Carsten Becker on to join in a great discussion on the technologies of writing:  implements, media, formats, and even literacy itself.  Then we have an invigorating discussion with Larry Sulky about his &#8220;artlangy-engelang&#8221; Qakwan, among other things.</p>
<p>Top of Show Greeting: Treyll</p>
<p>Links and Resources:</p>
<ul>
<li><a href="http://www.lib.usm.edu/spcol/exhibitions/item_of_the_month/iotm_nov_08.html">Palm Leaves as a writing medium</a></li>
<li><a href="http://en.wikipedia.org/wiki/Br%C4%81hm%C4%AB_script">Brāhmī script</a></li>
<li><a href="http://knp.prs.heacademy.ac.uk/cuneiformrevealed/learningsigns/tipsforlearningsigns/">Learn how to do cuneiform with a chopstick</a></li>
<li><a href="https://en.wikipedia.org/wiki/Curse_tablets">Curse tablets</a></li>
<li><a href="http://writinginstruments.blogspot.com/2010/12/jane-austen-her-pen-her-ink.html">Jane Austen&#8217;s ink recipe</a></li>
<li><a href="http://www.youtube.com/watch?v=1q5NDyWeraU">Typical Chinese calligraphy brush grip (video)</a></li>
<li><a href="http://www.etsy.com/listing/69133806/original-arabic-chinese-style">Arabic calligraphy with Chinese characteristics</a> (that is, written with a brush)</li>
<li><a href="http://www.omniglot.com/writing/tekumel.php">Tsolyani script</a> (which seems impossible to William)</li>
<li>Some <a href="http://idrani.perastar.com/ISMS_orthography.htm#sipokhi">possibly better conscripts</a>, with <a href="http://idrani.perastar.com/ISMS_artifactPages/ISMS_cgPrintingPlates.htm#kyonakekaiJuice">artifacts</a></li>
</ul>
<p>Featured Conlang: <a href="http://larrysulky.webs.com/qakwan/qakwan-main.htm#020_introconversation">Qakwan</a></p>
]]></content:encoded>
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		<title>Barsoomian, Revisited</title>
		<link>http://library.conlang.org/blog/?p=647</link>
		<comments>http://library.conlang.org/blog/?p=647#comments</comments>
		<pubDate>Mon, 14 May 2012 02:52:16 +0000</pubDate>
		<dc:creator>The Conlanging Librarian</dc:creator>
				<category><![CDATA[grammar]]></category>
		<category><![CDATA[resources]]></category>

		<guid isPermaLink="false">http://library.conlang.org/blog/?p=647</guid>
		<description><![CDATA[I realize it&#8217;s been awhile since I posted the first foray into Barsoomian on the blog here and have been remiss in not following up. By now, everyone knows that the John Carter movie was not the blockbuster success which was hoped for. (Sigh) The visuals were well done, but the story seemed overly (and [...]]]></description>
			<content:encoded><![CDATA[<p>I realize it&#8217;s been awhile since I posted the <a href="http://library.conlang.org/blog/?p=583">first foray into Barsoomian on the blog here</a> and have been remiss in not following up. By now, everyone knows that the <a href="http://www.imdb.com/title/tt0401729/">John Carter</a> movie was <em>not</em> the blockbuster success which was hoped for. (Sigh) The visuals were well done, but the story seemed overly (and unnecessarily) complicated. However, we still have the books which started it all. That&#8217;s the important part.</p>
<p>The reason for this post (in addition to simply getting back on a regular posting schedule) is to acknowledge and begin to thank Fredrik Ekman&#8217;s wonderful in-depth replies to my previous posts. Fredrik has great insights into the language of the Red Planet, has written extensively elsewhere on them, <em>and</em> <a href="http://fiatlingua.org/2012/03/">interviewed Paul Frommer</a> about his version of Barsoomian. The fact that he took the time to respond to my musings is very humbling.</p>
<p>His comments were posted on Conlang-L which is why you don&#8217;t see them here for now. I posted a message on that listserv that I had written up some ideas and provided the links to my Barsoomian &#8220;theories&#8221;. Fredrik then responded, and I have not had the opportunity to respond yet. Yes, I know it&#8217;s been months. Yes, I&#8217;m a little embarrassed by that time lag. So, now I begin to attempt to make amends.</p>
<p>What I plan to do is post links to the comments here as a start. I may not be delving deeper into Barsoomian right away, but for those who are interested, Fredrik&#8217;s comments provide an excellent alternative viewpoint:</p>
<ul>
<li><a href="http://library.conlang.org/blog/?p=583">Ay, Ra, Co… Counting in Barsoomian!</a> &#8211; <a href="http://listserv.brown.edu/archives/cgi-bin/wa?A2=ind1112D&#038;L=CONLANG&%23038;P=R2455&%23038;I=-3&%23038;d=No+Match;Match;Matches">Fredrik Ekman&#8217;s Comments</a> provide excellent points to consider.</li>
<li><a href="http://library.conlang.org/blog/?p=596">Barsoomian Familial Relationships</a> &#8211; <a href="http://listserv.brown.edu/archives/cgi-bin/wa?A2=ind1112D&#038;L=CONLANG&%23038;P=R4818&%23038;I=-3&%23038;d=No+Match;Match;Matches">Fredrik Ekman&#8217;s Comments</a>. <a href="http://listserv.brown.edu/archives/cgi-bin/wa?A2=ind1112D&#038;L=CONLANG&%23038;P=R5758&%23038;I=-3&%23038;d=No+Match;Match;Matches">My reply to his reply</a></li>
<li><a href="http://listserv.brown.edu/archives/cgi-bin/wa?A2=ind1112D&#038;L=CONLANG&%23038;P=R6136&%23038;I=-3&%23038;d=No+Match;Match;Matches">Ekman reply to my reply to his reply</a> <img src='http://library.conlang.org/blog/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> </li>
<li><a href="http://library.conlang.org/blog/?p=610">Hek, Shahek, Ron, Phai: All in the Barsoomian Family</a> &#8211; <a href="http://listserv.brown.edu/archives/cgi-bin/wa?A2=ind1112D&#038;L=CONLANG&%23038;P=R7454&%23038;I=-3&%23038;d=No+Match;Match;Matches">Ekman&#8217;s reply</a></li>
<li><a href="http://library.conlang.org/blog/?p=623">Dejah Thoris Phai-Dara! More Barsoomian Vocabulary</a> &#8211; <a href="http://listserv.brown.edu/archives/cgi-bin/wa?A2=ind1112E&#038;L=CONLANG&%23038;P=R2465&%23038;I=-3&%23038;d=No+Match;Match;Matches">Ekman&#8217;s insights</a></li>
<li><a href="http://library.conlang.org/blog/?p=630">Adventures in Barsoomian Continued&#8230;</a> &#8211; <a href="http://listserv.brown.edu/archives/cgi-bin/wa?A2=ind1201A&#038;L=CONLANG&%23038;P=R751&%23038;I=-3&%23038;d=No+Match;Match;Matches">Ekman&#8217;s reply</a></li>
</ul>
<p>I believe that&#8217;s all of them. Of course, these aren&#8217;t the only postings at Conlang-L that have to do with Barsoomian and ERB. Feel free to check out their <a href="http://listserv.brown.edu/archives/conlang.html">Archives</a>, too. Hope you enjoy the links to the discussion above. I know I did!</p>
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		<title>The Trilogy Has Evolved into a Series!</title>
		<link>http://termitespeaker.blogspot.com/2012/05/trilogy-has-evolved-into-series.html</link>
		<comments>http://termitespeaker.blogspot.com/2012/05/trilogy-has-evolved-into-series.html#comments</comments>
		<pubDate>Sat, 12 May 2012 17:20:00 +0000</pubDate>
		<dc:creator>Lorinda J. Taylor</dc:creator>
				<category><![CDATA[grammar]]></category>

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		<description><![CDATA[&#160;&#160;&#160;&#160;&#160;&#160; In my last post (long, long&#160;ago, it seems) I mentioned that "The Labors of Ki'shto'ba Huge-Head" would be a trilogy.&#160; Here are the intended titles:&#160;&#160;&#160;&#160;&#160;&#160; v.1: The War of the S...]]></description>
			<content:encoded><![CDATA[<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <span style="color: black;">In my last post (long, long&nbsp;ago, it seems) I mentioned that "The Labors of Ki'shto'ba Huge-Head" would be a trilogy.&nbsp; Here are the intended titles:</span></span></div><span style="color: black; font-family: Arial, Helvetica, sans-serif;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; v.1: The War of the Stolen Mother</span><br /><span style="color: black; font-family: Arial, Helvetica, sans-serif;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; v.2: The Tale of the Valley of Thorns</span><br /><span style="color: black; font-family: Arial, Helvetica, sans-serif;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; v.3:&nbsp;The Quest for the Golden Fungus</span><br /><span style="color: black; font-family: Arial, Helvetica, sans-serif;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span><br /><div style="text-align: justify;"><span style="color: black; font-family: Arial, Helvetica, sans-serif;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The first volume will not undergo much alteration; I consider it as near-perfect as anything I've ever written.&nbsp; And I've always considered it quite short.&nbsp; In fact, its word count is longer than the first volume of "The Termite Queen," which ended up being 386 p.!&nbsp; "The War of the Stolen Mother" is 150,000 words, but that includes a lengthy list of names and places that I intend to abbreviate.&nbsp; At any rate, that book is pretty much set in stone -- I really don't want to change a thing.</span></div><div style="text-align: justify;"><span style="color: black; font-family: Arial, Helvetica, sans-serif;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; But as I was checking all this out, I discovered that v.2 and particularly v.3 were simply TOO LONG!&nbsp; So I'm going to divide those two into three.&nbsp; Volume 2 will still have the title "The Tale of the Valley of Thorns," but v.3 will probably be "Beneath the Mountain of Heavy Fear."&nbsp; It isn't quite parallel with the other titles, but it has a solid impact.&nbsp; Then v.4 will be "The Quest for the Golden Fungus."</span></div><div style="text-align: justify;"><span style="color: black; font-family: Arial, Helvetica, sans-serif;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Another possibility would be to cut them up into even smaller chunks.&nbsp; This could be done because the books are quite episodic, actually picaresque in form -- a hero and its Companions journeying across the countryside encountering one adventure after another (and I do mean adventure -- it's basically non-stop action!)&nbsp; But I'd have to ponder that kind of reorganization for a while.</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="color: black; font-family: Arial, Helvetica, sans-serif;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; So what are these books about?&nbsp; I'm torn between letting you find out for yourselves and talking about it.&nbsp; I think talking about it will win out!&nbsp; Just what do you think books with the titles "War of the Stolen Mother" or "Quest for the Golden Fungus" would be about?&nbsp; What famous war fought over an abducted female comes to mind?&nbsp; And what famous quest was undertaken to recover a golden object?&nbsp; </span></div><div style="text-align: justify;"><span style="color: black; font-family: Arial, Helvetica, sans-serif;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; These books interpret Greek myth from a termite perspective.&nbsp; And not only Greek myth, but also in a couple of major instances certain medieval tales.&nbsp; Termites may not experience sex, but they worship the Female Principle and their Mother.&nbsp; What if a fortress stole the Mother of another fortress?&nbsp; It would precipitate the war of all wars, because the Shshi Way of Life would be at stake.&nbsp; A fortress without a mother is doomed to a slow and total death.&nbsp; And I can't see termites being very interested in fleece no matter what the color, but they are very interested in fungus, so if there were a golden fungus reputed to have magical properties, the obtaining of it might be a briskly contested undertaking.</span></div><div style="text-align: justify;"><span style="color: black; font-family: Arial, Helvetica, sans-serif;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And what is the role of our Champion, Ki'shto'ba Huge-Head of To'wak, in all this?&nbsp; Well, who could Ki'shto'ba be but Hercules?&nbsp; Hence the title, "The Labors of Ki'shto'ba Huge-Head."&nbsp; I can't portray every one of Hercules' Twelve Labors -- some just don't fit with termites.&nbsp; But you'll see the Hydra and the Stymphalian Birds and the Erymanthian&nbsp;Boar.&nbsp;</span></div><div style="text-align: justify;"><span style="color: black; font-family: Arial, Helvetica, sans-serif;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; My source for all this is Robert Graves' "The Greek Myths," one of the most complete compilations&nbsp;of myths ever put together.&nbsp; I must acknowledge his influence at every step.</span></div><div style="text-align: justify;"><span style="color: black; font-family: Arial, Helvetica, sans-serif;">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; There is nothing more interesting and more fun than the reinterpretation of myths!&nbsp; So stay on board for a great ride!&nbsp; And read both volumes of "The Termite Queen," because Kaitrin Oliva has a role to play in the new series, also!</span></div><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2233685335369677578-6216849575819061933?l=termitespeaker.blogspot.com' alt='' /></div>]]></content:encoded>
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		<title>New Language for the Riddlesbrood Theater Troupe</title>
		<link>http://jobs.conlang.org/archives/88</link>
		<comments>http://jobs.conlang.org/archives/88#comments</comments>
		<pubDate>Fri, 11 May 2012 22:53:49 +0000</pubDate>
		<dc:creator>LCS</dc:creator>
				<category><![CDATA[grammar]]></category>

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		<description><![CDATA[The LCS is proud to announce that Scott Hamilton has been hired to create the Brooding language for the Riddlesbrood Touring Theater Company! Riddlesbrood plans to use the language in an upcoming show, and to incorporate it into future productions &#8230; <a href="http://jobs.conlang.org/archives/88">Continue reading <span>&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The LCS is proud to announce that Scott Hamilton has been hired to create the Brooding language for the <a href="http://www.riddlesbrood.com" >Riddlesbrood Touring Theater Company</a>! Riddlesbrood plans to use the language in an upcoming show, and to incorporate it into future productions from here on out. Congratulations to Scott! For more information on <a href="http://www.riddlesbrood.com" >Riddlesbrood</a>, check out <a href="http://www.riddlesbrood.com/about" >their website</a>.</p>
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		<title>Gonna Be Startin&#8217; Somethin&#8217;</title>
		<link>http://fairylang.livejournal.com/35148.html</link>
		<comments>http://fairylang.livejournal.com/35148.html#comments</comments>
		<pubDate>Fri, 11 May 2012 17:53:37 +0000</pubDate>
		<dc:creator>FairyLang</dc:creator>
				<category><![CDATA[grammar]]></category>

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		<description><![CDATA[œthnyn / ithnœn noun/verb, angelicinspiration / to inspireethnan / ithnen noun/verb, fairyencouragement, motivation / to encourage, motivateusnan / isnun noun/verb, humanenticement / to entice, stokeoznan / iznon noun/verb, demonbribery / to bribe]]></description>
			<content:encoded><![CDATA[<b>œthnyn / ithnœn</b> <i>noun/verb, angelic</i><br />inspiration / to inspire<br /><br /><b>ethnan / ithnen</b> <i>noun/verb, fairy</i><br />encouragement, motivation / to encourage, motivate<br /><br /><b>usnan / isnun</b> <i>noun/verb, human</i><br />enticement / to entice, stoke<br /><br /><b>oznan / iznon</b> <i>noun/verb, demon</i><br />bribery / to bribe]]></content:encoded>
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		<title>Guest on Conlangery Podcast #50</title>
		<link>http://benung.nfshost.com/archives/2271</link>
		<comments>http://benung.nfshost.com/archives/2271#comments</comments>
		<pubDate>Fri, 11 May 2012 11:00:27 +0000</pubDate>
		<dc:creator>carsten</dc:creator>
				<category><![CDATA[grammar]]></category>

		<guid isPermaLink="false">http://benung.nfshost.com/?p=2271</guid>
		<description><![CDATA[I&#8217;m excited to announce that I&#8217;m going to be a guest in the first half of Episode 50 of the Conlangery Podcast, which will be released on May 14, 2012 – that is, next Monday, if the regular schedule is &#8230; <a href="http://benung.nfshost.com/archives/2271">Continue reading <span>&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-2278" title="Retro Radio! © vierdrie (Jean Scheijen)/stock.xchng" src="http://benung.nfshost.com/wp-content/uploads/2012/05/2271-title.png" alt="Retro Radio! © vierdrie (Jean Scheijen)/stock.xchng" width="300" height="202" />I&#8217;m excited to announce that I&#8217;m going to be a guest in the first half of Episode 50 of the <a  href="http://conlangery.conlang.org" >Conlangery Podcast</a>, which will be released on May 14, 2012 – that is, next Monday, if the regular schedule is followed. Thanks again to George and William for having me as a guest!</p>
<p>When I read in the comments to <a  href="http://conlangery.com/2012/04/23/conlangery-47-practicum-isolating-and-analytic-languages/#comment-1614" >Episode 47</a> that there was going to be a scripts-related episode soon, I decided to ask whether they&#8217;d be OK with having me as a guest. Script-related things like writing systems and typography are a topic I&#8217;m interested in and fascinated by (you guess where my perfectionist obsession with my con-scripts stems from), so I was curious to join the discussion. Who would have thought it was up for recording the very Sunday (late) night of that week! However, it&#8217;s not actually <a  href="http://conlangery.com/2011/07/04/conlangery-05-scripts-and-writing/" >about writing systems themselves</a>, but mainly about prerequisites and tools for writing and literacy. Very interesting!</p>
<p>NB: I haven&#8217;t heard the edited episode yet myself, so I&#8217;m just as curious for it.</p>
<p><em>[You can listen to <a  href="http://conlangery.com/2012/05/14/conlangery-50-the-technology-of-literacy/" >Conlangery 50, "The Technology of Literacy,"</a> now. — CB, 2012-05-14]</em></p>
<div class="sources"><strong>Image credit:</strong> <a  href="http://www.sxc.hu/photo/794713" >Retro Radio!</a> © 2007 by vierdrie/stock.xchng</div>
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